TY - JOUR
T1 - The effect of stimulus timing in compensating for pitch perturbation on flat, rising, and falling contours
AU - Ning, Li Hsin
N1 - Publisher Copyright:
© 2022 Acoustical Society of America.
PY - 2022/4/1
Y1 - 2022/4/1
N2 - The purpose of this study was to explore vocal responses to pitch perturbation on the flat, rising, and falling contour made of sequences of level tones in Taiwanese Southern Min. Twenty-two native speakers produced nine disyllabic words (flat: high-high, mid-mid, and low-low tone sequences; rising: mid-high, low-high, and low-mid tone sequences; falling: high-mid, high-low, and mid-low tone sequences). Pitch-shift stimuli (200 ms) appeared at either 100 ms (the beginning of the first syllable) or 400 ms (the beginning of the second syllable) after vocal onset. The participants were asked to ignore the pitch perturbation that appeared via auditory feedback. We found their compensation decreased when both syllables had identical level tones (i.e., the flat contour) but was particularly large when the overall contour was falling. Furthermore, pitch compensation at 100 ms was smaller than at 400 ms for the falling contour, but not for the flat and rising contours. Our results suggest that less susceptibility to pitch perturbation in the initial speech planning process is conditioned by the velocity of overall pitch contour.
AB - The purpose of this study was to explore vocal responses to pitch perturbation on the flat, rising, and falling contour made of sequences of level tones in Taiwanese Southern Min. Twenty-two native speakers produced nine disyllabic words (flat: high-high, mid-mid, and low-low tone sequences; rising: mid-high, low-high, and low-mid tone sequences; falling: high-mid, high-low, and mid-low tone sequences). Pitch-shift stimuli (200 ms) appeared at either 100 ms (the beginning of the first syllable) or 400 ms (the beginning of the second syllable) after vocal onset. The participants were asked to ignore the pitch perturbation that appeared via auditory feedback. We found their compensation decreased when both syllables had identical level tones (i.e., the flat contour) but was particularly large when the overall contour was falling. Furthermore, pitch compensation at 100 ms was smaller than at 400 ms for the falling contour, but not for the flat and rising contours. Our results suggest that less susceptibility to pitch perturbation in the initial speech planning process is conditioned by the velocity of overall pitch contour.
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U2 - 10.1121/10.0010237
DO - 10.1121/10.0010237
M3 - Article
C2 - 35461497
AN - SCOPUS:85128801859
SN - 0001-4966
VL - 151
SP - 2530
EP - 2544
JO - Journal of the Acoustical Society of America
JF - Journal of the Acoustical Society of America
IS - 4
ER -