摘要
Satoshi Kon is a Japanese animation film director whose works, story, and imagery suggest altered mental states, such as insanity or dreaming. Millennium Actress (2001), which this author regards as Kon's magnum opus, uses a dream-like style of animation and filmmaking to create the narrative of a biography of a fictional actress. In this feature-length animated film, Kon reifies theories and findings from the functions of dreaming and the mechanics of dream that have developed over a hundred years since the early 20th century. The oneiric quality of the animation film is explored using both psychoanalytical/psychological theories and neuroscientific frameworks to reveal its story of a feminine journey in relation to the collective unconscious and mythic story structure, and the cinematic editing techniques that help the storytelling lead to the dream state.
| 原文 | 英語 |
|---|---|
| 頁(從 - 到) | 85-97 |
| 頁數 | 13 |
| 期刊 | Animation |
| 卷 | 8 |
| 發行號 | 1 |
| DOIs | |
| 出版狀態 | 已發佈 - 2013 3月 |
| 對外發佈 | 是 |
ASJC Scopus subject areas
- 視覺藝術與表演藝術
指紋
深入研究「Satoshi Kon's millennium actress: A feminine journey with dream-like qualities」主題。共同形成了獨特的指紋。引用此
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