摘要
For those familiar with the Taiwan pop music scene of the 1980s and 1990s, Lim Giong (Lin Chiang) (1964-) is primarily known as the rock singer who toppled the Mandarin hegemony of the local music industry when it was at the height of its popularity. His first Taiyu pop-rock album, Marching Forward (1990), shot through Taiwan’s post-martial-law society like a thunderbolt, resonating in an atmosphere charged by massive political upheaval. But that’s not why we interviewed him for this final chapter. Rather, we sought him out because Lim’s truly unique trajectory from the 1990s up to the current moment in the late 2010s demonstrates the diversity of creative directions available in Taiwan to a musician not content to work within the system.
| 原文 | 英語 |
|---|---|
| 主出版物標題 | Made in Taiwan |
| 主出版物子標題 | Studies in Popular Music |
| 發行者 | Taylor and Francis |
| 頁面 | 231-247 |
| 頁數 | 17 |
| ISBN(電子) | 9781351119139 |
| ISBN(列印) | 9780815360155 |
| DOIs | |
| 出版狀態 | 已發佈 - 2019 1月 1 |
ASJC Scopus subject areas
- 一般藝術與人文科學
指紋
深入研究「Orbiting and down-to-earth: A conversation with lim giong about his music, art, and mind」主題。共同形成了獨特的指紋。引用此
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