Nozawa dorama: Televisual authorship in the currents of suspense and desire

Eva Tsai*

*此作品的通信作者

研究成果: 雜誌貢獻期刊論文同行評審

1 引文 斯高帕斯(Scopus)

摘要

This article offers an interpretation of the contribution of the recently deceased scriptwriter Nozawa Hisashi (1960–2004) to Japanese television production. Focusing on the recursive genre mixing in Nozawa’s television serials from 1992 to 2002, this article develops the notion of ‘televisual authorship’ to better situate individual creators of television programs in wider cultural and social contexts. Mystery thrillers and marriage stories became the major generic currents in Nozawa’s television serial dramas in a production context saturated with trendy love stories and also in a larger televisual atmosphere that questioned stabilizing forces in society, like the family. Committed to novelistic storytelling and socially grounded characterization, Nozawa transformed the traditional elements of crime and romance to underline love’s pragmatic role in the pursuit of social justice. Unfortunately, this ‘social message’ may ultimately be lost in the information mode of Japanese televisual culture.

原文英語
頁(從 - 到)23-48
頁數26
期刊Japan Forum
19
發行號1
DOIs
出版狀態已發佈 - 2007 三月

ASJC Scopus subject areas

  • 文化學習
  • 歷史
  • 社會學與政治學

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