TY - JOUR
T1 - Sensorimotor adaptation and aftereffect to frequency-Altered feedback inMandarinspeaking vocalists and non-vocalists
AU - Ning, Li Hsin
N1 - Publisher Copyright:
© 2020 National Taiwan Normal University. All rights reserved.
PY - 2020/10/28
Y1 - 2020/10/28
N2 - This research examined sensorimotor adaptation and aftereffect in trained vocalists and non-vocalists whose native language is Mandarin. The adaptive frequency-Altered feedback paradigm involving a baseline of normal auditory feedback, a training phase of incrementally or decrementally changed feedback, and a test phase of normal auditory feedback was administered. The participants were asked to produce the sustained vowel /a/, Mandarin /ma1/ ("mother"), and Mandarin /ma2/ ("hemp"). The results show that the vocalists compensated less than the non-vocalists, suggesting that the vocalists audio-motor representations for pitch could be more entrenched than the non-vocalists. All the participants displayed sensorimotor adaptation, indicating that online recalibration is an innate and automatic process. The presence of the aftereffect, however, depended on the stimulus type and vocal training experience. It appeared in all speakers responses to downward shift of /ma1/ and /ma2/, but only in the nonvocalists responses to /a/.
AB - This research examined sensorimotor adaptation and aftereffect in trained vocalists and non-vocalists whose native language is Mandarin. The adaptive frequency-Altered feedback paradigm involving a baseline of normal auditory feedback, a training phase of incrementally or decrementally changed feedback, and a test phase of normal auditory feedback was administered. The participants were asked to produce the sustained vowel /a/, Mandarin /ma1/ ("mother"), and Mandarin /ma2/ ("hemp"). The results show that the vocalists compensated less than the non-vocalists, suggesting that the vocalists audio-motor representations for pitch could be more entrenched than the non-vocalists. All the participants displayed sensorimotor adaptation, indicating that online recalibration is an innate and automatic process. The presence of the aftereffect, however, depended on the stimulus type and vocal training experience. It appeared in all speakers responses to downward shift of /ma1/ and /ma2/, but only in the nonvocalists responses to /a/.
KW - frequency-Altered feedback paradigm
KW - sensorimotor adaptation
KW - tone production
KW - vocal training
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U2 - 10.1075/consl.00015.nin
DO - 10.1075/consl.00015.nin
M3 - Article
AN - SCOPUS:85172272847
SN - 1810-7478
VL - 46
SP - 125
EP - 147
JO - Concentric: Studies in Linguistics
JF - Concentric: Studies in Linguistics
IS - 2
ER -