General editorial: EAJPC 8.2

Edward Vickers, Ann Heylen, Kate Taylor-Jones

Research output: Contribution to journalEditorialpeer-review


This issue of the East Asian Journal of Popular Culture (EAJPC) includes a thematic section, edited by Scott Sommers, consisting of four papers dealing with various cultural ramifications of a modern popular culture in middle-class Japan, particularly in relation to gender and consumerism. It further features articles analysing the role of humour in the Sinophone world: one (by Charles Lam and Genevieve Leung) on the emergence during the 1970s of a conscious-ness of distinctive Hong Kong identity through the prism of the television sketch comedy, the Hui Brothers Show and another (by Jacob Tischer) investigating the use of a humorous social media strategy by Taiwan’s government in its attempts to manage the COVID-19 pandemic. The issue concludes with a paper by Marketa Bajgerová Verly on the representation of female victims of the Sino-Japanese War in the museums of the PRC. The book reviews section features commentary on four recently published works that relate to themes discussed in the research articles.

Original languageEnglish
Pages (from-to)179-182
Number of pages4
JournalEast Asian Journal of Popular Culture
Issue number2
Publication statusPublished - 2022 Sept 1


  • Japan
  • consumerism
  • humour
  • identity
  • magazines
  • museums
  • sinophone
  • television

ASJC Scopus subject areas

  • Cultural Studies
  • Arts and Humanities (miscellaneous)


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