《三國志演義》作為歷史通俗演義範式的文類意義及其話語表現

Translated title of the contribution: On Genre's significance and discursive performance of San kuo Chih Yen I ("The Romance of the three kingdoms") as a paradigm in Li Shih T'ung Shu Yen I ("the popular historical novel")

Research output: Contribution to journalArticlepeer-review

Abstract

In the Novels developing process during Ming and Qing Dynasties, Li shih T’ung Shu Yen I (“the popular historical novel”) creation established a genre and become a creative school. San kuo chih Yen (“Romance of the three kingdoms”) being published had the exemplary role regarding the popular writers of fiction, Li Shih T’ung Shu Yen I creation were luxuriant and formed the unique creative school. As an original model of “new genre”, San Kuo Chih Yen I in Li shih T’ung Shu Yen I staring and developing process has the pivotal historical status. This article mainly bases on the past worthies now can above research foundation. First, I will give a showing on san Kuo Chh Yen I the creation and its genre’s significations. Secondly, I will analyze discursive performance from the form system and the thought guidance in San kuo Chih Yen I. In whole elaboration, I will melt by individual understanding, and propose the synthetic view.
Translated title of the contributionOn Genre's significance and discursive performance of San kuo Chih Yen I ("The Romance of the three kingdoms") as a paradigm in Li Shih T'ung Shu Yen I ("the popular historical novel")
Original languageChinese (Traditional)
Pages (from-to)1-35
Journal臺北教育大學語文集刊
Volume10
Publication statusPublished - 2005 Nov

Keywords

  • San kuo Yen I ("Romance of the three kingdoms")
  • Li Shih T'ung Shu Yen I ("the popular historical novel")
  • paradigm
  • genre

Fingerprint

Dive into the research topics of 'On Genre's significance and discursive performance of San kuo Chih Yen I ("The Romance of the three kingdoms") as a paradigm in Li Shih T'ung Shu Yen I ("the popular historical novel")'. Together they form a unique fingerprint.

Cite this